A Horse That Doesn't Need Horseshoes print: view through a car window and rearview mirror onto an agave field and gnarled tree in Mexico
The print framed in oak and hung above a patterned tiled console table with dark ceramic vases
The print framed in black and hung above a mustard-yellow sofa in a Scandinavian-style living room
// Photograph

A Horse That Doesn't Need Horseshoes

50×40cm

Edition of 8
8 remaining

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50×40cm Unframed Giclée print on Hahnemülle Photo-Rag paper Edition of 8 Signed We blew the suspension on Pancho's car getting here. That's how unhinged things got – the car ricocheting noisily along the scrawled signature of dust roads and wild agave fields carved through the Jaliscan landscape. The distillery itself is guarded by a donkey and a few penned goats beside a river that pounds the rocks while the land around is yellow and dry. Beyond this dusted, humble entrance lies a cavernous operation: inside, a cart track runs through the vast industrial atrium holding a few stills and enormous glassless windows; white walls spotted with black mould hold the silence and calm alongside the river's percussion. The rhythm inside is slow and knowing, but how eccentric and confident the liquid they produce. This wild, shoeless horse, this Caballito Cerrero. One of only three images from the making of Tristan Stephenson's Agave Safari book released as prints, each in a strict edition of only 8.